Venice Biennale
 Architettura

The Not for Sale! exhibit, organized by Architects Against Housing Alienation (AAHA), at the Venice Biennale Archittetura 2023

Official Entry from Canada: Not for Sale!

Not for Sale! is an architectural activist campaign for non-alienated housing.

Architects Against Housing Alienation (AAHA) have transformed the Canada Pavilion in the Giardini into a campaign headquarters for equitable housing that rejects this concept of property and the financialized form of architecture that it implies. To address these issues, they will work with interdisciplinary and geographically dispersed teams comprised of activist organizations, advocates for non-alienated housing, and architects. They will collaborate to develop demands and create architectural projects to address housing alienation, presenting bold visions for equitable and deeply affordable housing in Canada. The AAHA goal is to mobilize all Canadians to join the call for safer, healthier, and more equitable housing.

Aerial perspective of the Not for Sale! headquarters within the Canada Pavilion floorplan, Illustration by AAHA

“The presentation of the AAHA collective’s Not For Sale! exhibition at La Biennale di Venezia highlights crucial issues related to affordable housing access in Canada. It reminds us that architecture is an art and practice that can choose to engage in concrete dialogue with social movements and by doing so contribute to the advent of a better world. The analyses, ideas and proposals that will be presented and developed in Venice by AAHA are part of an international drive for just and sustainable human development as an alternative to the greed, plunder, and exclusion that globalization promotes. Art and architecture are once again called to the bedside of a society that is suffering from destructive drifts and I am convinced that this is a source of hope and comfort that we all need.” 
– Simon Brault, Director and CEO, Canada Council for the Arts

“We believe that the roots of the housing crisis lie in the capitalist and colonialist dispossession of people from their land and homes. In Canada, this started with the appropriation of land from Indigenous peoples and the transformation of homes into commodities, objects of real estate speculation rather than places defined by deep community and cultural ties. We are witnessing the consequences of dispossession today. We are fighting for a system of housing that is fairer; we are showcasing not only the fundamental aspects of the housing crisis but also proposals for positive change--ways of legislating, financing, and designing that empower communities. We hope that the projects we show in Venice and our campaign at large will educate and inspire not only Canadians but people all over the globe impacted by the housing crisis.” 
– Architects Against Housing Alienation (AAHA) collective

About Architects Against Housing Alienation (AAHA)

The collective Architects Against Housing Alienation (AAHA) was formed and came together to communally shape a grassroots architectural movement founded on shared principles and intentions to put an end to housing alienation. Through the Not for Sale! exhibition and campaign, the collective aspires to inspire architects, activists, and advocates to join a growing movement that will make housing more equitable and accessible for everyone.

https://aaha.ca/en

From top left to bottom right:
Adrian Blackwell, David Fortin, Matthew Soules, Sara Stevens, Patrick Stewart, Tijana Vujosevic

Adrian Blackwell is an artist, designer, theorist, and educator, whose work explores the relationship between physical spaces and political economic forces. His art and design have been exhibited across Canada, in the United States, and internationally at the Shenzhen and Chengdu Biennales, Shanghai Urban Space Art Season, the Chicago Architecture Biennial and the Toronto Biennial of Art. In 2022 Adrian and David Fortin co-edited issue 12/13 of the journal Scapegoat–c\a\n\a\d\a: delineating nation state capitalism. He has taught architecture and urbanism at Chongqing, Michigan, Toronto, and Harvard Universities and is currently an associate professor at the University of Waterloo School of Architecture.

David Fortin is a citizen of the Métis Nation of Ontario and a member of the Royal Architectural Institute of Canada (RAIC) Indigenous Task Force that seeks ‘ways to foster and promote indigenous design in Canada’. From 2018–2019, he coordinated a community-led housing design project with the National Research Council for remote northern communities and has also participated as a mentor and architect for the Indigenous Homes Innovation Initiative administered by Indigenous Services Canada. David is a professional architect who runs a small architectural office working primarily with Métis and First Nations communities across Canada. He is currently a professor at the University of Waterloo School of Architecture.

Matthew Soules is an associate professor at the University of British Columbia School of Architecture and Landscape Architecture and the founder of Matthew Soules Architecture. Matthew’s research focuses on contemporary capitalism and architecture. His latest book, Icebergs, Zombies, and the Ultra Thin: Architecture and Capitalism in the Twenty-First Century, examines the rise of finance capitalism and its relationship with architecture. Matthew’s work has been funded by numerous organizations, including the Social Sciences and Humanities Research Council and the British Columbia Arts Council, as well as receiving a wide range of awards, such as the AIA/ACSA Housing Design Education Award in 2012. He has been visiting faculty at Harvard University and SCI-Arc.

Sara Stevens is an architectural and urban historian. She is an associate professor at the University of British Columbia School of Architecture and Landscape Architecture. Her research focuses on real estate developers of the twentieth century, exploring the cultural economy of architectural practice, finance, and expertise in Canada and the United States. Her book, Developing Expertise: Architecture and Real Estate in Metropolitan, studies real estate development in twentieth century American cities, and how developers, investors, and architects worked together to build subdivisions and superblocks, cul-de-sacs, and towers. Sara was awarded a 2019 Research Fellowship with the Canadian Centre for Architecture that supports her second book project, titled Building Capital.

Patrick Stewart is a member of the Killerwhale House of Daaxan of the Nisga’a Nation. He is an award-winning architect with 26 years of architectural experience. Patrick was the first architect of First Nations ancestry to own and operate an architectural firm in British Columbia and elected as President of the Architectural Institute of British Columbia. Patrick is founding Chair of the Royal Architectural Institute of Canada Indigenous Task Force, Co-Chair of the RAIC Truth and Reconciliation Task Force and Chair of the Provincial Aboriginal Homelessness Committee in BC. He has also been a mentor for the Indigenous Homes Innovation Initiative administered by Indigenous Services Canada as a different way to develop, design and fund projects with Indigenous communities.

Tijana Vujosevic is assistant professor at the University of British Columbia School of Architecture and Landscape Architecture. Tijana is the recipient of numerous grants and awards, including the MIT Presidential Fellowship, Gerda Henkel Foundation PhD Fellowship, American Association of University Women International Fellowship, and, more recently, a two-year Fellowship with the Institute of Advanced Studies at the University of Strasbourg. Recently, MOMA re-published her 2013 essay on Soviet 1930s bathhouses on its site as essential reading during the pandemic. Tijana’s book on communist domesticity was reviewed in nine scholarly journals and was on Owen Hatherley’s list of most important books of 2017 in the Architectural Review.

Chris Lee is a graphic designer and assistant professor in the Undergraduate Communications Design Department at the Pratt Institute (Brooklyn, NY). His research and independent creative work explore the historical, practical, and pedagogical implications of centering the document—in particular its archival, evidentiary function—as a genre of graphic design. He has worked for The Walrus Magazine, Metahaven, and Bruce Mau Design.

Ali S. Qadeer is a Toronto-based designer, educator in the faculty of OCADU, an occasional writer, and a graduate of McGill University and RISD. His work and writing focus on algorithmic form-making, unorthodox toolmaking, and the disciplinary and economic structures that design practices buttress, as well as surveillance and platform managerialism and the countercultures of cooperativism. 

Contributors & Collaborators: Affordable Housing Association of Nova Scotia │ Shawn Bailey and Lancelot Coar, University of Manitoba │ Bâtir Son Quartier │ Black Urbanism TO | Brique par Brique | Ian Campbell, Hereditary Chief, Squamish Nation │Canadian Cohousing Network │ Julia Christensen, Memorial University │ Anne Cormier, Atelier Big City │ CP Planning | Susan Fitzgerald, fbm Architecture │ Gentrification Tax Action | Haeccity Architecture Studio │Idle No More | One House Many Nations │LGA Architectural Partners │ L’OEUF Architectes | Parkdale Neighbourhood Land Trust │ Right to Remain │ Sarah Silva, Hiy̓ám̓ ta Housing │ SvN Architects and Partners │ The Studio of Contemporary Architecture │ Toronto Tiny Shelters │ Ipek Türeli, McGill University.

Lead Organization: School of Architecture and Landscape Architecture, University of British Columbia

Partner Organization: University of Waterloo School of Architecture

About the Venice Biennale of Architecture